(Midi) - DOSSAT (Yves), Anne-Marie LEMASSON, and Philippe WO - Lot 169

(Midi) - DOSSAT (Yves), Anne-Marie LEMASSON, and Philippe WOLFF. The Languedoc and the Rouergue in the *Trésor des Chartes*. Paris, 1983. In-8, 637 pp, publisher’s binding. Published in the series “Documents inédits sur l’Histoire de France.” Also included: - DUTIL (Léon). Haute-Garonne and Its Region: Historical Geography. Volume I: General Overview. Toulouse, Privat, 1928. In-8, paperback. XVI, 324 pp, frontispiece and inset plates, figures in the text. Volume I (of 2); the second volume is titled: Localities. - LEFÈVRE (Edmond). Félibrige and Southern France Catalog (1st year—1900). Notes and documents on the Félibrige, with a bibliography… A Summary Bibliography of Works Published in 1900 Concerning Southern France and More Specifically the Langue d’Oc. Marseille, Paul Ruat, 1901. 8vo, [2 folios], 122 pp., [1 folio], paperback. Text in two columns. - BONNET (Christian). Occitan Bibliography of the Périgord. The Troubadours, General Works. Béziers, C.I.D.O., 1979. In-8, XXII, 359 pp., paperback. - WOLFF (Philippe), ed. History of Languedoc. Toulouse, Privat. In-4, publisher’s binding, dust jacket. 540 pp., [2 ff.], illustrations. JOURDANNE (Gaston). Bibliophiles, Collectors, and Printers of the Aude. Paris, Leclerc, 1904. In-4, [1 f]: colophon, 293 pp., [1 p]: errata (sic) and addenda, paperback. First edition. Printed in a run of 150 numbered copies. Illustrated with seventy woodcuts: chapter heads, initials, and end-piece illustrations. - BRIFFAULT (Robert). The Troubadours and the Romantic Sentiment. Paris, Éditions du Chêne, 1945. In-8, 212 pp, paperback, illustrated cover. Illustrations, maps, and music in the text. - BRUN (Robert). Avignon in the Time of the Popes: Artists, Monuments, and Society. Paris, Armand Colin, 1928. In-8, half-percaline, covers preserved. [2 ff.], 285 pp., [1 f.], 8 plates. - BEC (Pierre). *Florilège en mineur*. Little-Known Jugglers and Troubadours. Orléans, 2004. In-8, 406 pp., paperback. “Many Cansos, Baladas, Pastorellas, Dansas, and Albas will remain lost forever. Yet the importance attributed to this or that troubadour depends greatly on the number of pieces and melodies that have survived to the present day...” "Of these marvels of Occitan poetry, each piece will be savored twice: in the language of the creators and, then, in Pierre Bec’s nimble translation."